Miles Davis Agharta 180g 33RPM MFSL 2LP vinyl Record (Use code: FREESHIPPING at Checkout Two Orders or More UK Only) Pre-Order

please note this is a pre-order as soon as we have this in stock, we will ship immediately.
The Apex of Miles Davis’ Electric Period: Agharta Blows Minds with Funk-Rock Jazz Thrills, Improvisational Surprises, Band Chemistry, and Rule-Breaking Freedom 

Sourced from the Original Master Tapes: Mobile Fidelity’s 180g 33RPM 2LP Set Presents 1975 Live Album in Audiophile Sound, Plays with a Scope That Matches the Music

1/4” / 15 IPS analog master to DSD 256 to analog console to lathe

The capstone of Miles Davis’ electric period, Agharta reigns as a funk-rock fireball — a blazing comet streaked energy and elan, a fearless organism feasting on adventure and freedom, a seven-headed Godzilla stomping its way through Osaka, Japan. Recorded on February 1, 1975 at Osaka Festival Hall at the first of a two-show stand, the double album offers an endless abundance of surprises and shifts — as well as a road-proven ensemble whose chemistry and abilities equal that of any of Davis’ celebrated bands. If the true measure of jazz is the capacity to adapt to the moment and challenge perception, Agharta is consummate. 

Sourced from the original master tapes, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g 33RPM 2LP set of this epic live release presents it in audiophile sound on a domestic pressing for the first time. Offering greater degrees of separation, detail, and richness than the compressed CD editions and more clarity, openness, and presence than older vinyl copies, this version of the 1975 release helps bring the concert stage to your home. Just make sure your turntable and speakers are up to the challenge of Davis and Co.’s explosive performances — and producing the decibels they demand. 

Side One:

1. Prelude (Part I)

Side Two:

1. Prelude (Part II)
2. Maiysha

Side Three:

1. Interlude

Side Four:

1. Theme from Jack Johnson